I forget that perhaps my process isn't as clear to others at it is to me. Using my Sears Citation II manual typewriter, I use various symbols on paper repeatedly to create shifts in value and texture. My current series
Unrevealed is a collection of such portraits based on photographs where the subject is obscured by light/shadow, perspective/foreshortening, or cropping.
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studio view/in progress, Patsy, 2015
image made using: & % " # ' |
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in progress detail, Erica, 2015 |
I typically pull the pin on the platen out, disengaging the roller so that I don't have to abide by the mechanical shift to the next line. This way, especially if I'm working towards a rich black, I have more control and can more thoughtfully layer characters on top of one another.
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studio view/in progress, Erica, 2015
image made using: o ' # % " |
I discovered that # is my favorite symbol for skin since its natural appearance of crosshatching makes for an even balance in shading. It covers a lot of surface area and is my main character for making pure black. It resemble a mezzotint, but I can't decide which process of the two is more masochistic. % is a very effective symbol for hair. The linear quality of the / in the % helps it illustrate the direction of the hair, but the little circles keep it from becoming cartoonish, and lend a softness to it which makes it look more believable.
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Patsy, 2015
typewriter drawing on Rives BFK
This collection will be on view at Luke's Frame Shop in Portland, Oregon this Septmber!
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